Showing posts with label eric alperin. Show all posts
Showing posts with label eric alperin. Show all posts

Wednesday, December 14, 2011

Liquor and Its Myths


If you cover the drinking world, you can't help but take note of the ludicrious notions and habits people pick up in regard to how they order, drink and think about liquor. As much as mixologists like to think of the modern bar as a classroom, few barflies learn their lessons. Instead they cling to myth, superstition, marketing notions, and stuff they learned back in college or on television. Recently, I collected a number of the misguided, but stubborn beliefs stubbornly held by the American drinker into an article for the New York Times, drawing on the experiences and viewpoints of a couple dozen notes bartenders and distillers (of which I managed to cite an even dozen in the piece). As expected, the feature got a strongly positive response from the bartending community. What the public thought of it, I do not know. But if I've caused just one person to stop asking about the worm in mezcal or order their whiskey based on the age statement, I've done my work.

The Myths of the Bar, Debunked
By ROBERT SIMONSON
EDUCATING the average drinker on the qualities of firewater, and how to best enjoy it, has been one of the central credos of the new generation of mixologists. “Knowledge!” they cry, as they throw back shots of Fernet-Branca.
But some booze-addled misconceptions continue to cling like vines to the lizard brain of the American tippler. An army of bartenders can protest that a wetter martini is both more delectable and historically accurate, but certain committed fanciers of the cocktail, channeling their inner Gray Flannel Suit, will still maintain the drink attains perfection only at its driest, when vermouth is banished from the barroom.
Such antiquated contentions are like “nails on a chalkboard,” said Eric Alperin, an owner of the Varnish in Los Angeles. “I think the reason people stand by those myths is because it is a sound bite they’ve acquired, and a bar is a place to feel confident with yourself and exude a little know-how.”
Many reinforce a drinker’s virility, particularly with regard to the most manly of spirits — whiskey.
Some of those idées fixes:
OLDER IS BETTER “It’s absolute nonsense,” said Ronnie Cox, director of theGlenrothes, a Speyside Scotch. “It’s not about oldness, it’s about maturity. Age doesn’t mean anything other than that whiskey’s been in that cask for that amount of time.” Making whiskey requires finding the right balance among myriad elements. A few whiskeys prosper with advanced age, but many fall off a cliff into sensory disharmony at a certain point. Rittenhouse Rye 100, from Kentucky, takes only four years to reach the chewy, spicy sweet spot bartenders swear by. But the Old Pulteney 21-year-old Scotch probably needed to attain drinking age to hit its briny perfection.
Tonia Guffey, a bartender at Dram in Williamsburg, Brooklyn, offered an anthropomorphic analogy. “Not every human hits their peak of beauty at the same age,” she said, “and neither does every spirit.”
WATER IS AN ABOMINATION John McCarthy, head bartender at the Lower East Side bar Mary Queen of Scots, thinks the aversion to diluting whiskey is a matter of machismo. “We’re American men,” Mr. McCarthy said, “and if it doesn’t hurt, it’s not good!” But softening the blow, said Franky Marshall, a bartender at the Monkey Bar, is far from a bad thing. “Adding a little water to whiskey serves to ‘open up’ the spirit, releasing an array of subtler flavors. It can truly show you a completely different profile of a whiskey.” It’s also what most Scots do, and they ought to know. Alla Lapushchik, owner ofPost Office, a Williamsburg bar with a vast whiskey list, offers water even when customers don’t ask for it. “You don’t put water in beer or wine, so it doesn’t occur to people to do it with whiskey,” Ms. Lapushchik said. “I’ve had people order Booker’s 127 proof neat.”
SWEET IS SILLY Another fallacy that hurts the pride of many a modern mixologist is the widely held belief that sweet cocktails are inherently insipid. “I think expectations are still informed by the cocktails of the pre-craft era, when people added sour mix and cranberry cocktail,” said Tom Chadwick, owner of Dram, who insists that all his cocktails, even the sweet ones — like the bar’s current Loose Noose, a mix of bourbon, sweet vermouth, amontillado sherry, and touches of cinnamon syrup and allspice dram — are balanced, with the spirit, citrus, sweetener and other elements cohabiting in the glass. “It’s a way of communicating that you’re sophisticated — ‘I don’t want a Mudslide. I want something complicated.’ ”
GIVE THEM THEIR PROPS The reputation and quality of tequilas and mezcals has risen recently. But drinkers fall back on frat-boy practices, like asking for a lime and salt, a ritual that dates to the days of lousy tequilas. “I say, ‘Whatever spirit I serve you is good, ” said Ivy Mix, a bartender at the Clover Club in Boerum Hill, Brooklyn, “and you don’t need to cover it up.’ ” Then there’s the worm in the mezcal bottle. “It was created by Gusano Rojo in the 1950s,” said Steve Olson, an owner of the Lower East Side tequila and mezcal bar Viktor & Spoils, of the widely sold mezcal brand, “when the tequila market had boomed and left mezcal far behind, as an enterprising marketing attempt to get mezcal away from its image as moonshine.”
MISCELLANEOUS MYTHS Despite the avalanche of articles after absinthe’s reintroduction to the United States a few years ago, some ideas about it remain rooted in the 1890s. Customers “really hope they’ll hallucinate,” said Maxwell Britten, beverage director at Maison Premiere, a Williamsburg bar well stocked with absinthe. “I tell them, ‘If you drink enough alcohol of any category, I guarantee you will hallucinate.’ ” Karin Stanley, a bartender at Dutch Kills, in Long Island City, Queens, rattled off her litany of ripostes: “ ‘No, you aren’t going to see anything’; ‘no, you aren’t going to cut your ear off’; and ‘yes, it is supposed to taste like that.’ ”
Other delusions as tough as jerky: that vodka has no calories and is better for you, Ms. Stanley said; that “Jägermeister is made with deer’s blood,” offered St. John Frizell, owner of Fort Defiance in Red Hook, Brooklyn; and that Irish whiskey brands are Catholic or Protestant, depending on where they’re made. “If you look into the ownership, it’s all international corporations,” Mr. Frizell said. “I don’t think the Irish even care.”
Odds are, many misconceptions will survive. The bar has ever been a greenhouse of hyperbole, folklore and rumor. “I’d say a good 30 percent of what’s said over the mahogany is generally baloney,” said Derek Brown, owner of the Passenger and Columbia Room in Washington. “Why wouldn’t that apply to myths about alcohol, too?”

Thursday, December 2, 2010

Another Reason Too Many Cocktail Will Make You Sorry in the Morning


Prior to researching this article for the New York Times, I had for some time nursed the notion that I'd like to try my hand behind the bar. I know how to make a good drink, am versed in many recipes, have observed bartenders at work for years, like the idea of service and barside conversation very much, and own a vest and several hats. After hearing countless tales of physical woe from the best barkeeps in the nation, I'm not so in love with the idea. After all, these guys are having a hard time avoiding aches and pains in their 20s and early 30s. What would be the situation for someone like me who's, uh, not in his 20s?

The Bartender Appears to Be Shaken Up

By Robert Simonson

“WHEN we first started Varnish, we began sustaining a bunch of injuries,” Marcos Tello said. “I had a huge, constant knot in my forearm. Chris Ojeda developed tennis elbow. Matty Eggleston popped a tendon in his hand. We were all sidelined with all these injuries.”

Varnish is not a football team. It is a stylish, speakeasy-style cocktail bar that opened early last year in downtown Los Angeles. And the men Mr. Tello mentions are fellow bartenders, ranging in age from mid-20s to mid-30s. But in these heady days of behind-the-bar showmanship, when theatrical agitations of shakers filled with heavy-duty ice are becoming the norm, the mixologist’s physical lot is not so terribly far removed from an athlete’s.

Tuesday, September 28, 2010

Royalton's Forty Four Bar to Open Oct. 1

After a delay of a couple weeks, in which bartenders were brought up to speed and menus were tinkered with, Forty Four, the reincarnation of the lobby bar at midtown Manhattan's Royalton Hotel, will open for business.

Expect to see one or more of the serious-looking, ice-kicking dudes (and dudette) to the right on hand this weekend. They make up The Cocktail Collective, the group that was put together in the wake of this year's Tales of the Cocktail to created Forty Four's menu. As reported earlier, they Richard Boccato from Dutch Kills in New York City (the man holding the block of ice); John Lermayer from the Florida Room in Miami Beach, and Woodward in Boston (shaker in hand); Simon Ford, a former London bartender, and now a global cocktail ambassador employed by Pernod Ricard USA (the man top right who looks like he just got off a cross-country flight, which he probably did); Willy Shine, one of the founders of Contemporary Cocktails, a prominent cocktail consultancy based in New York City (saw in hand, looking like a butcher); Misty Kalkofen, who tends bar at Drink in Boston (guess); and Eric Alperin, head bartender at the Varnish in Los Angeles (tall and vested).

That's one cool photo. Some sort of theme song, along the lines "The Magnificent Seven," should play whenever those guys enter the room.

The menu will feature classic drinks created at great hotels of the past, some served up classically, some with a modern twist.

Saturday, August 21, 2010

Three Parts New York, One Part L.A., One Part Boston...



What kind of bar do you get when you mix Pernod Ricard USA brand ambassador czar Simon Ford, cocktail consultant Willy Shine, tiki master Richard Boccato, Boston bartendress Misty Kalkofen, L.A. bar wizard Eric Alperin and Miami Beach mixologist John Lermayer?

We shall find out in mid-September when Forty Four, the bar revamp at the Royalton Hotel in midtown Manhattan, reopens. They are all part of the group the hotel has put together and called The Cocktail Collective. Heard of Ocean's Eleven? Call them Royalton's Six.

At Royalton's Bar, a Collective of Cocktail Talent
By Robert Simonson
Like a Danny Ocean of the cocktail world, Howard Wein, senior vice president of food and beverage of Morgans Hotel Group, has cherry-picked some of the most prominent and talented bar figures from across the United States to create the liquor program at Forty Four, the lobby bar and restaurant of Midtown Manhattan’s Royalton hotel, which closed this summer for a revamp and is set to reopen in mid-September.
The group has been christened the Cocktail Collective by Mr. Wein, and includes: Richard Boccato from Dutch Kills and Painkiller in New York City;John Lermayer from the Florida Room in Miami Beach, and Woodward in Boston; Simon Ford, a former London bartender, and now a global cocktail ambassador employed by Pernod Ricard USA; Willy Shine, one of the founders of Contemporary Cocktails, a prominent cocktail consultancy based in New York City; Misty Kalkofen, who tends bar at Drink in Boston; and Eric Alperin, head bartender at the Varnish in Los Angeles.