Showing posts with label Woodford Reserve. Show all posts
Showing posts with label Woodford Reserve. Show all posts
Thursday, January 27, 2011
Nine Decades, Nine Whiskies
Prohibition Era whiskey.
Those are three words that will easily secure a spirits journalist presence at a liquor event.
The other day, the folks at Brown-Forman invited a select group of booze journos to taste through a collection of whiskies from their library, the earliest dating from the 1930s. The event was meant as a way to publicize the distillery's latest release—the return to full-Bourbon status of Early Times. (I've written about this everything-old-is-new-again product here.) But the tasting had a historical appeal all its own.
The seven whiskies pulled from the Brown-Forman stores were: King Kentucky Straight Bourbon Whiskey from the 1930s; Old Forester Kentucky Straight Bourbon Whiskey from the 1940s; Old Forester President's Choice Kentucky Straight Bourbon Whisky from the 1950s; Old Forester 86 Kentucky Straight Bourbon Whiskey from the 1960s; Frost 8/80 Dry White Whiskey from the 1970s; Jack Daniel's Old No. 7 from the 1980s; Woodford Reserve Distillers Select Kentucky Straight Bourbon Whiskey from the 1990s; Woodford Reserve Masters Collection Seasoned Oak Finish from the 2000s; and the new/old Early Times, representing the current decade.
Friday, November 5, 2010
Master Distiller Un-Retires to Make Angel's Envy
Movie stars come out of retirement. Rappers and baseball players, too. Why not a Bourbon distiller?
Lincoln Henderson—who was instrumental in the rise of Woodford Reserve as one of the leading small-batch Bourbons and was in charge of all Brown Forman whiskies, including Jack Daniel's, until retiring in 2004—has returned to the rickhouse to create Angel's Envy, a new Bourbon he calls his "life's work," for the Louisville Distilling Company.
The first batch nursed along by Henderson, using triple-distilled Bourbon whiskey, was finished in a mix of Vintage and Ruby Port barrels "shipped directly from Portugal." (Where else?) The name is a play on the term "Angel's Share," the amount of whiskey that evaporates during the aging process, and the stylish bottle is made from "perfume-grade glass," about which I can tell you absolutely nothing.
It certainly has a beautiful color, a vibrant amber-orange. The nose is heady and perfumes, the winey notes of the Port intermingling with the spice of the grain. Plenty of vanilla, too. The palate has a similar mix of finesse and spice, caramel smooth overall but with a tangy, tingly hit in the mid-palate. More vanilla, woody notes, maple syrup, some orange but generally not to big on fruit. Austere and silky simultaneously. Just a hunch, but good Old Fashioned material here.
Angel's Envy is available in Louisville, Chicago, San Francisco, Miami, Austin, Washington, D.C. and Boulder and Denver. So I guess I should feel lucky to have my sample here in little 'ol NYC. It goes for $45.
Wednesday, November 18, 2009
Review: 'Tis the Season
An annual sign that the holidays are around the corner is the new release from Woodford Reserve's's Master's Collection. This year's product, Seasoned Oak Finish, is the fourth in a series of experimental, limited release bourbons, the first three being the Four Grain, Sonoma-Cutrer Finish and Sweet Mash.
I had the good fortune to visit the Woodford Reserve Distillery in Kentucky to sample the new bourbon out of barrel, before it was bottled. The difference with this distillate, as was the case with the Sonoma, is the wood. Altering the wood is a significant move, since much of the flavor and all of the color of bourbon whiskey comes from the barrel. Woodford is the only bourbon maker that created its own barrels. Thus they have complete control over what sort of vessel they store their liquor in. This freedom allowed master distiller Chris Morris to pick up the phone one day and ask the coopers if they had any wooden staves that had been sitting around in the open air for a time. As chance had it, they did. They had some white oak that had been seasoning in the elements for from three to five years. By some stroke of luck, there were enough staves to make the amount of whiskey Morris needed for his Master's Collection.
And so the barrels were raised from the seasoned oak. According to Morris, the Seasoned Oak Finish uses the oldest oak ever employed in making a whiskey. The booze spent eight months in barrels, and, owing to both that and the age of the wood (most wood for bourbon is aged no more than five months), the whiskey came out much darker than is typically the case with Woodford. The method sort of takes a backwards approach to aging. Instead of letting the whiskey sit for years, it was the wood that did the time. The new dram is not technically bourbon, since the barrel is not made strictly to the government codes the rule the making of bourbon.
As Morris drilled a hole in a barrel containing the new brew, the liquid poured out a deep orange-amber. The nose was potent: maple syrup, molasses, orange, fig, pear, dark chocolate and spice. The wood has certainly done its work. The taste was robust. There was the usual spark that you get from Woodford's high component of rye, but also smoke, dark cherries, clove and molasses. The spice at the beginning smooths out at you reach the finish, though the tongue keeps tingling all along.
What I have heard among my media compatriots is that this is their favorite edition of the Master's Collection. I would have to agree that its the most successful (though I still do like the Sweet Mash quite a bit). I can certainly seeing it making a potent Manhattan. You don't even need to add the cherry; it's already in the whiskey. And the overall fruitcakey character of the liquor is certainly in keeping with the season.
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