Showing posts with label abe schoener. Show all posts
Showing posts with label abe schoener. Show all posts

Monday, May 10, 2010

The Friuli Wines of American


I wrote a small item for Tasting Table last week about a tight group of American winemakers with whom I share a passion for the white wines of Friuli. There are only four that I know of in the U.S.—Abe Schoener, George Vare, Christopher Tracy and Steve Matthiasson—so it wasn't difficult to become acquainted with them and their wines. These wines are not for the novice drinker. They challenge you and make you think more than relax. What else can you expect from a white wine that looks orange and tastes like a red?

As Matthiasson pointed out (and I was not able to fit into a 200-word article), there are differing schools of thought among Friuli winemaker. The whites that spend a lot of time on the lees, or get buried in the ground in amphoras—think the wines of Gravner and Radikon—get the most attention. How could they not? They're bruisers, yeasty and tannic and provocative. But there's another, subtler school of white, strongly mineral but crisp and refreshing, that are best represented there by Schiopetto and Villa Russiz, and over here by Matthiasson Napa Valley White.

Of the wines I list below I most strongly recommend the Channing Daughters Rosato. Unfortunately, it seems to already be sold out.

Tough Love
A small-but-fierce group of winemakers embraces northern Italy
It's easy to embrace the popular kids.
In the wine world, they're well-known regions like Bordeaux and Burgundy, which have plenty of American winemakers crafting bottles in their likeness.
But for the Friuli-Venezia Giulia region in northeast Italy--known for its idiosyncratic, niche pours--acolytes are harder to come by.
Among its small-but-vociferous ranks are California vintners George Vare, Abe Schoener and Steve Matthiasson, who discovered Friuli's white wines on a trip together in 2005. Since then, the trio has experimented with native Friulian varietals and unorthodox aging methods, which have yielded robust, yeasty white wines. They are exceptional in their eccentricities.
Christopher Tracy, winemaker for Bridgehampton's Channing Daughters, is another Friuli fanatic. He's fingered Long Island's climate and soil as ideal for the production of Vino da Meditazione, a thickish, cerebral wine that has been called the best white offering in America.
Sometimes the difficult ones come out the best. Here are three bottles that make for a good introduction to Friuli, American-style:
2009 Channing Daughters Rosato di Refosco ($19) A rare and delicious rosé, this bottle is light and creamy with hints of almonds and strawberries (click to buy online).
2008 Matthiasson Napa Valley White ($32) Dominated by Sauvignon Blanc and Ribolla Gialla, this flinty, crisp wine smacks of lemon, pear and light stone fruits (click to buy online).
2008 Scholium Project The Prince in His Cave ($43) Abe Schoener's flagship bottle is a crash course in on-the-lees orange wine: tangy, spicy, yeasty and a feast for those with an adventurous palate (click to buy online).

Monday, October 13, 2008

Harvest Time in Brooklyn



Soon after I met winemaker Abe Schoener last spring and heard he was going to make wine in Red Hook using New York State grapes, I interviewed Steve Mancini, the sommelier at Union Square Cafe. He told me he had been a volunteer worker for Abe the previous summer, helping him put together his California wines. I put two and two together and concluded that Schoener might be open to some volunteerism down in Red Hook. What better way to learn more about wine than to participate in a harvest? And since I don't live in California, what better chance would I have than Abe's Red Hook venture, taking place a mere five-minute bike ride from where I lived?

I dogged Schoener with e-mails and, sure enough, he was happy to accept any volunteers. He put me in touch with Mark Snyder, a partner in Angel's Share Wines, the Red Hook cooperative that is producing the wines and has hired Schoener and Robert Foley as consultants. I was put on the "Harvest List" and sent periodic e-mails whenever grapes arrived at the tiny winemaking plant at the corner of Dwight and Van Dyke Streets.

The first call came on Sept 29. Gewürztraminer from the North Fork of Long Island was on its way! As this news came exactly as Rosh Hashanah was arriving, and I did not think my Jewish wife would appreciate my ducking out to go sort grapes, I had to pass on this invitation. Beside, I was most interested in the Sauvignon Blanc shipment, which was due soon after. I have been impressed with what Abe has done with SB in California and wanted to be on hand for his first NY harvest.

On Oct. 4, another e-mail came. Abe was in town and the four tons of Sauvignon Blanc would arrive in Red Hook at 4 PM Oct. 6, with 9 tons of Chardonnay to follow soon after. All hands on deck!

I biked it down at exactly 4 PM and found no grapes, no people. A waitress at Rocky Sullivan's, which is across the street from the winery, directed me: "They're in there." Abe, Mark and some associates, including one Johanna, who works with Abe in California, and looks something like Ingrid Bergman, were sitting inside enjoying pizza and beer. Schoener was, as always, an unmistakable presence in his buzz-cut, large glasses and bright red shirt. The grapes were late, sitting in truck stuck in think, Long Island Expressway Sunday night traffic.

I was surprised by the small size of the winery. There were a few dozen barrels, four modest steel tanks, a small stemming machine, a press and a couple plastic tables which, when put together, were to be the sorting station. A very nice man named Chris seemed to be in charge of the volunteers.



The grapes arrived after 6 PM. The back door of a medium-sized white truck opened. There were dozens of small yellow pallets of small, green-gold grapes. Four tons didn't look like that much, but, as I soon found out, they made for a huge amount of fruit to go through. There were about a dozen volunteers by now, in addition to the Schoener and Angel's Share people. Suddenly, it was All Business. Grapes were dumped on the sorting table. Abe gave a short and sharp lecture about how to sort the grapes. Brown ones were infected with Botrytis and should be discarded. Blackish ones has some sort of mildew and also have to be sorted. If a cluster had too many of these, don't mess around: just toss the whole bunch. If a cluster had just a couple bad grapes, it was a keeper. The basic gist was: Be careful, but don't get bogged down in details.



We lined up on either side of the table and began sorting like demons. White plastic buckets by our feet were for throwaway grapes. Big gray buckets at the end were for kept grapes. When the gray buckets were filled, they were dumped into the destemmer. When the large white pallets under the destemmer got full they were pulled to settle elsewhere, and a new pallet was put in its place. It was a teeny-tiny assembly line.

Chris was an expert sorter. He astounded me with his speed and split-second decisions. When he wasn't sure about a cluster's quality, he took a big animal bit of it. If it tasted good, he through it in the gray bucket. He loudly, but kindly, prodded us to keep the grapes moving down the table and not to let the grapes accumulate too thickly at any part of the table.




Very quickly, I developed a hearty respect for vineyard laborers. My back ached. My neck ached. This was hard work. But I kept on, hour after hour (the grapes never stopped coming). At some point, a second wind kicked in and I forgot about my weariness. A couple times, I got to dump the grapes into the destemmer. That was fun. Abe directed me to stick my nose in the palette of destemmed grapes. "You smell that clean smell?" I did. "That tells you those are good grapes. We're sorting well."

The group was an interesting one. One guy said he worked at Craftbar. I recognized one of the staff members at Crush, the Manhattan wine store. Later, LeNell Smothers of LeNell's wine and liquor store showed up. The owner of The Good Fork restaurant dropped by with his family and promised to cook the group a dinner in a couple nights when the harvest was done.



I tried to learn what I could from Abe. I asked him about the difference between California and New York Sauvignon Blanc grapes, which he said was "night and day." The New York clusters were not as tight and the grapes smaller and less ripe. He would have to alter his vinifying accordingly. Most of the wine would not be exposed to the skins for long. The juice would then be aged in the stainless steel tanks. He had instructed the sorters to pick out what they deemed the most "beautiful" clusters and set them aside. These would become skin-fermented SB. (I kept a special eye out for these, and carefully watched a pallet where they were gathered, afraid it would be mistakenly dumped in with the rest of the grapes.) The next day he said he expected to get 40 cases out of the Sauvignon Blanc. Schoener had originally hoped to make wine with Tocai Friuliano grapes, but Millbrook, the Hudson Valley winery that grows that rare (in the U.S., anyway) varietal, would not make a deal to sell any grapes.

I spoke to one of Snyder's partner (whose name I've forgotten), who informed me that all the wine made there would go out under the Angel's Share label—something I did not realize. Schoener's and Foley's names will be on the label as winemakers, but the bottles will not technically be Schoener or Foley wines. (Foley will be working mainly with red grapes: Merlot and Cabernet Franc.)

There were sandwiches and chips and soda for sustenance. Around 9 PM, I allowed myself to take a break. By 10 PM, I had to clear out; tomorrow was a working day. There were still plenty of grapes to sort. I heard the next day that work continued until 3 AM. I was sad I didn't get to participate in any of the other stages of the winemaking, such as the pressing, and transfer to the tanks.

The next day, I got an e-mail that the Chardonnay would arrive around 4 PM. I had a few spare hours, so I rode down. By 6:30 PM, the grapes were still MIA, so I left without having assisted in that harvest. I was disappointed, but not necessarily heartbroken; I'm not sure I could have stared down nine tons of Chardonnay.

Wednesday, May 7, 2008

A Night With Abe

A number of weeks back, I was invited to to a wine dinner at the swank and narrow Lower East Side hotspot Stanton Social (sharing plates, scarce reservations). The host was Crush Wine & Spirits, my fave wine shop in Manhattan. The subject was Abe Schoener, the former Greek philosophy professor turned maverick winemaker behind the Scholium Project line of California wines.

Schoener is a wine-philosopher, if such a beast exists, and his background shows in the name he's given to his enterprise (it means "a modest project, undertaken for learning") and his wines, which are called Naucratis, The Prince in His Caves, Scheria and Babylon, among others. This would all be insufferably precious and pretentious—the press release for the event mentioned Jasper Johns and Aristotle—if his wines weren't so good.

Schoener gathers grapes from different small vineyards in Cali for each wine he makes. The nature of the grapes dictates the wine he makes, and he tries not to interfere with the natural fermentation process as much as possible. Additionally, he hardly a slave to the prevailing varietals in California. Among whites, he goes for Sauvignon Blanc, Semillon and Verdehlo; reds are Syrah and Petite Sirah.

The winemaker himself is an unmistakable character. Burly, with a buzz cut, thick glasses and wearing a loud plaid shirt, he could have been in installation artist with a Chelsea dealer. The din at Stanton Social was almost deafening (why do young people like to shout over dinner?), so Abe took turns sitting at each table discussing the wine and fielding questions. I learned that the winemakers of Friuli, particularly Kante, are an inspiration; this was quite apparent after tasting a few of his heady, mineral whites, in which extended exposure to the lees was marked. He also said his profit margin was thin, since he produced only small amounts of each wine. (This accounts for the high prices. The Verdehlo, at $21, is the cheapest.) He additionally mentioned his plans to start producing wine in Red Hook, Brooklyn.

Other things he said:
*Every wine is an experiment
*He first finds the right vineyards, then decides what grape to plane
*He doesn't top off barrels. He feel wine should be exposed to oxygen. Because of this attitude, he often loses wine to spoilage.
*He thinks Sauvignon Blanc is the number one grape in California.
*He makes wine "for 600 people."

We were all handed a glass of the Verdehlo, vinified in stainless steel, and dubbed "Naucratis," when we walked in. It was one of my favorite wines of the evening, with a nice balance of minerality and fruit, a juicy drink, but not too juicy. The wine had just been bottled a few days before.

The Sauv Blanc called "La Severita di Bruto" was metalically fresh, flinty and sharp, with tart notes of lime. Very good. Another Sauv Blanc, "The Prince in His Caves," spent 30 days on the skins and it showed. It was tropical and thick and wildly fragrant. This reminded me most of Friuli's whites. (The name has something to do with an monastic Italian prince who worked a couple small vineyards in solitude in the late 20th century.)

From there, we went on to the reds. While Schoener's red wines are respectable and make for good drinking, I don't feel they measure up to the inventive eccentricity of his whites. This may be because of his choice of Petite Sirah, which I think is rather limited grape in terms of flavor and textural possibilities. I'd like to see what he could do with some of the more obscure northern Italian varietals, like Ruche, Refosco and Lagrein. I also have a suspicion he'd make a great wine with the Pecorino grape.

Wednesday, April 9, 2008

Forget Red Hook-Made Beer; Get Ready for Red Hook-Made Wine


Don't look at your calendar. It isn't April 1 and this is not a joke post.

Beginning next year, Red Hook, Brooklyn, will be a winemaking hotbed. At a wine dinner last night at Stanton Social, Abe Schoener, the cult California winemaker responsible for the boutique line of Scholium Project wines, announced that he would start making wine in deepest, darkest Brooklyn, working out of the old Beard Street Warehouse.

Schoener, an affable and erudite man with a beefy frame, short gray hair and thick glasses, said he planned to ship grapes down from the Hudson Valley wine region, possibly working with the Millbrook Winery and possibly vinifying Tocai Friulano grapes, a varietal native to Friuli, Italy; Millbrook is one of the few U.S. growers of this grape.

Schoener said he was going to use Red Hook the old-fashioned way: the grapes would arrive by ship and delivered using an actual extant slip at the Beard Street Warehouse.

The winemaker has won acclaim for his iconoclastic takes on Sauvignon Blanc, Verdelho, Syrah and Petite Sirah, which are produced on various parcels throughout California and bottles in small amounts.